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There's Always Blood At The End Of The Road

by Wiegedood

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Metallurgical Fire
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Metallurgical Fire Thanks for the education, Ippo. I was underwhelmed by their earlier material, but this album will knock you the fuck out. Can’t believe I waited two years to listen. Top ten of all time for BM, it’s on the list. Favorite track: FN SCAR 16.
Ippocalyptica
Ippocalyptica thumbnail
Ippocalyptica It is June 2022. You are at Gdańsk Shipyard, surrounded by tens of thousands of metal fans at Mystic (which was, in effect, three years’ worth of festivals in one to account for two pandemic cancellations). Some of the best DM and BM bands in the world are blowing you away day after day. And then Wiegedood take the stage, open their set with FN SCAR 16, and nearly incapacitate everyone in attendance with their sonic fury. This is their best album, finally on Bandcamp. Do the right thing. Favorite track: FN SCAR 16.
Sælzer Bub
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Sælzer Bub I saw these guys on stage yesterday. What an incredible live band. 1 hour full speed.
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FN SCAR 16 04:07
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Wade 01:57
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Nuages 05:50
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Carousel 04:51

about

As the world circles the abyss at gathering speed, WIEGEDOOD have returned to provide a perfectly vicious soundtrack. Formed in 2014, the Belgian trio have built an unassailable reputation as purveyors of visceral and bleak black metal in its purest and most destructive form. Since unveiling their debut album “De Doden Hebben Het Goed” in 2015, WIEGEDOOD have blazed an unending trail for musical darkness, bolstering their burgeoning notoriety with some of the most apocalyptic live performances in recent memory, and producing two subsequent albums – “De Doden Hebben Het Goed II” and “III”, released in 2017 and 2018 respectively – which hammered home the band’s unique creative powers.

Emerging once more, this time from the involuntary solitude of a plague-bound world, WIEGEDOOD are back with their fourth studio album, “There’s Always Blood At The End Of The Road”. A ferocious tour-de-force, born of frustration and the ever-burning flame of hatred for the modern world, the new record marks a significant departure for this most ruthlessly singular of modern metal bands.

“Musically I think we’ve made our most uncomfortable record so far. It’s once again faster than anything we’ve done before, and more unforgiving than the whole trilogy combined”, says vocalist/guitarist Levy Seynaeve. “To me, it feels like a soundtrack, for a movie yet to be made. A movie about the filthiest and most disgusting parts of human nature and society, and about the struggle we lead within, trying to overcome the fact we are all made from that same filth.”

credits

released January 14, 2022

Line-Up:
Gilles Demolder - Guitars
Wim Coppers - Drums
Levy Seynaeve - Guitars & Vocals

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Century Media Records Dortmund, Germany

A metal label with diverse tastes, Century Media arose from humble origins as a bedroom label based out of Dortmund, Germany in 1989 and have expanded greatly over the past 30+ years.

Acting as a beacon of professionality, reliability, and an unwavering dedication and passion to the most important thing of all – the music – Century Media are a flagship label in the metal and hard rock fields.
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